

I always like Hot Chip album covers nearly as much as their music (which is a lot) It's really bold when there's a running theme or template as with these ones that I've picked out, it shows they are different pieces from the same source and they each kind of illustrate the songs. Each entity circled onto the square seems to embody the sense of the song through textures and materials. Album covers should do what these do, i think; act as a depiction of the music in a seductive, picture frame type way.
Their videos are generally an obscure raw and conceptual style, I find them some of the most visually interesting videos around.
There is an old version they made but never released for 'colours' on this page:
http://melaughsmeeyes.blogspot.com/2008/06/hot-chip-colours-home-made.html




In my opinion, this is one of Anthony Hopkin's best performances. It's based on a true story of a New Zealander called Burt Munro, who spent 25 years working on an old motorbike (1920's Indian) that he hoped would break the land speed record held at a convention in Utah on the salt flats. With a threatening heart condition, very little money and his makeshift invention (no breaks, old tyres..) he travels across the world and competes against hundreds of hi-tech creations. There are some awful moments when you think they will just turn him away or it's all going to go wrong and it's an extraordinary adventure of courage and perseverance.


The Cambridge Open Studios are a really good way for new artists to get their work seen. Held annually, the programmes are handed around detailing artists residences and viewing time periods for their work. Some local galleries host the work as well as the artists themselves, which I prefer to actually visiting their houses! But if you go with a fellow art student and make good conversation about the work it can be a very insightful experience. Some of the work I've previously seen is shown on the portfolio websites, although they don't particularly like you to take photos.


An inexhaustible "guide to visual awareness." This is a concoction of anecdotes, quotes, images, and bizarre facts that offers a wonderfully twisted vision of the chaos of modern life. Fletcher is a renowned designer and art director and describes his book as "a journey without a destination," He captures the sensory overload of a world that simply contains too much information. In one typical section, entitled "Civilization," the reader encounters six Polish flags designed to represent the world, a photograph of an anthropomorphic handbag, Buzz Aldrin's boot print on the moon, drawings of Stone Age pebbles, a painting of "Ireland--as seen from Wales," and a dizzying array of quotations and snippets of information, including the wise words of Marcus Aurelius, Stephen Jay, and Gandhi's comment, "Western civilization? I think it would be a good idea." Fletcher's mastery of design mixes type, space, fonts, alphabets, color, and layout combined with the strange and profound to produce a stunning book that cannot be read, but only experienced. Thought provoking and inspiring, this book is a rambling artist journal of tidbits he has found interesting over his long creative career.
This is an amazing story that keeps you gripped and then completely shatters your emotions at the end but all the while its makes you think a lot about life and the reality of things and has a really strong impact.



